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on behalf of

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for the Conference
"The Art of Synagogue Music"
November 12-14, 2006
New York City



 

Synagogue and Other Works Based on Jewish Themes by Jack Gottlieb

All works published by Theophilous Music, Inc.
Distributed by Transcontinental Music or by Boosey & Hawkes, Inc.

Compositions Listed by Composer in Chronological Order. "FP" =indicates First Performance.



1957:
DIDN'T MY LORD DELIVER DANIEL?, Spiritual for SATB Chorus, Soloists & Piano.
FP: March 16, 1958, University Chorus, Harold Decker, conductor, University of Illinois.

1960:
IN MEMORY OF ..., Cantata on poems of Moses Ibn Ezra for Choir, Tenor Solo & Organ.
First prize Brown University Choral Contest.
FP: Park Avenue Synagogue, New York, NY, March 18, 1960.

1965:
LOVE SONGS FOR SABBATH, Friday Evening Service for Cantor, Choir, Organ. Optional: Female Reader (poetry & prose, varying), Dancer & Percussion. Commissioned by Park Avenue Synagogue, New York, NY.
FP: May 7, 1965, Park Avenue Synagogue. FP with Reader & Dancer: May 12, 1966, Felicia Montealegre, choreography by Anna Sokolow, Jewish Community Center, White Plains, NY.

1967:
SHOUT FOR JOY, Church or Synagogue Psalms for Mostly Unison Choir, Piano, 2 Flutes & 3 Drums. 1) Psalm 95,
2) Psalm 84,
3) Psalm 81.
FP: January 19, 1969, Church of St. Mary the Virgin, New York, NY, conducted by composer.


1970:

NEW YEAR'S SERVICE FOR YOUNG PEOPLE, for Two-Part Choir and Organ.
FP: October 1, 1970, Temple Israel, St. Louis, Mo., school choir conducted by composer.

THREE CANDLE BLESSINGS for Choir & Organ.
FP: fall of 1970, Temple Israel, St. Louis, Mo.

MI CHAMOCHA ("Who is like unto Thee?"), Yom Kippur setting, for choir & organ.FP: 1970, Temple Israel, St. Louis, Mo. Printed in Yamim Noraim, Vol. 1, pp. 47-50.

1973: VERSES FROM PSALM 118, for Choir & Organ. Commissioned by Union of American Hebrew Congregations for its centennial year.
FP: June 6, 1973, Temple Israel, St. Louis, Mo.

MAY WE LIE DOWN, (from "Gates of Prayer"), song.
FP: October 15, 1974, Cliff Snyder, baritone, Stephen S. Wise Synagogue, New York, NY. New edition 1996: See 1981: TWO NIGHT SONGS.

1974: TEFILOT SHEVA ("Seven Prayers") for Low Voice & keyboard (optional notes for higher voice), based on Sabbath Amidah: 1) Avot 2) Gevurot (M'chalkeyl chayim) 3) Kedushat Hashem 4) R'stei vimnuchateinu 5) Avodah (R'stei Adonai) 6) Modim anachnu Lach 7) Shalom Rav FP: April 20, 1975, Cantors Richard Botton, Helene Reps & composer, 92nd St. Y, New York, NY.

1974:
Editing of previously unpublished works by Max Helfman:
1) AHAVAT OLAM, for Cantor, Choir & Organ. TCL.
2) KEDUSHA, for cantor, Choir & Organ. TCL.
3) THREE SETTINGS OF THE KIDDUSH for Cantor, Choir & Organ: in G, in A & in B-flat.
Each includes original music by Jack Gottlieb.


1975:
HYMNS for vocal solo, unison choir or congregational singing & organ:
FP: school year, School of Sacred Music, HUC-JIR, New York, NY.

JUDGE OF THE WORLD, Organ Postlude based on an Ashkenazic melody collected by Benedetto Marcello, Venice, early 18th century.
FP: June 15, 1975, CCAR convention, Cinncinati, Ohio.
See 1988: THE VOICE OF THE LORD IN THE STORM.

ACQUAINTED WITH THE NIGHT, (Poem by Robert Frost, reprinted in "Gates of Prayer"), song.
FP: Spring 1975, Don Croll, baritone & composer.
See 1981: TWO NIGHT SONGS ("Acquainted with the Night' & "May We Lie Down". Both songs have been orchestrated by Stephen Richards (1993).

SHARING THE PROPHETS, A Musical Encounter for Singers (Soloists, Chorus), Piano, Double Bass & Percussion. Text by composer. Commissioned by Board of Jewish Education of Greater NY. [Piano-vocal score, choral score & libretto.] Musical numbers: FP: March 14, 1976, HUC-JIR Choir, New York, NY, conducted by composer.

FOUR SETTINGS Latter available in high & low keys. (1996)

1976:
FOUR AFFIRMATIONS for Choir, Alto or Baritone Solo, Brass Sextet or Piano/Organ. FP: April 17, 1976, Cantor Arthur Wolfson, Temple Choir & Brass, Congregation Emanu-El, NY. *Nos. 2 & 4 published. (Nos. 1 & 3 withdrawn)

KEDUSHA for Voice & Keyboard.
FP: June 29, 1976, Helene Reps, mezzo & the composer, Gratz College, Philadelphia, PA

1968-1976:
THE SONG OF SONGS, WHICH IS SOLOMON'S, An "Operatorio" for Soprano, Tenor & Baritone soloists (other tenor/baritone soloists, optional), Women's Chorus & Keyboard. Setting of the entire book of the Bible, Jerusalem Bible translation. Completed with the assistance of a grant from the National Foundation for the Arts.
FP excerpts: November 22, 1969, Joyce Glaser, soprano & composer. FP other excerpts:1970 & 72, Carolee Stacy-Coombs & John Lawless, St. Louis, Mo. See Set Me As A Seal, 1991.

SHEHASHALOM SHELO (from "Gates of Prayer") for Voice & Keyboard. Ms.
FP: February 21, 1977, Sarah Sager, soprano & composer. Revised & set to MAY THE WORDS, H & E.

EICHA ASHIR/HOW CAN I SING? (from "Gates of Prayer") for Voice & Keyboard, Hebrew & English. FP: February 21, 1977, Phyllis Cole, soprano & composer, ACC Conclave, Walker Valley, NY.

1977:
YEVARECHECHA/THREE-FOLD BENEDICTION for A Cappella Choir.
FP: April 1977, Temple Beth El, Great Neck, NY.

MI SHESHIKEIN (from "Gates of Repentance") for Solo Voice or Duet & Keyboard, H & E. Published in Yamim Noraim, Vol. II
FP: April 1977, Temple Beth El, Great Neck, NY.

VEAHAVTA for Voice & Keyboard.
FP: March 1977, Cantor Helene Reps, mezzo & composer.

HASHKIVEINU for Voice & Keyboard. (also available in a transcription for brass) FP: June 19, 1977, Cantor Barbara Ostfeld, alto, 92nd.St. Y. New York, NY.

IT IS EVENING (from "Gates of Prayer") for Voice & Keyboard.
FP: February 18, 1978, Helene Reps, mezzo, ACC Conclave, New Jersey.

SHIRIM UZMIROT, Collection of Songs & Hymns for Congregational Use, edited by Jack Gottlieb. Joint publication of ACC & CCAR.

1978:
BECAUSE I LOVE (from "Gates of Prayer") for Voice & Keyboard. Ms. FP: February 18, 1978, Helene Reps, mezzo, ACC conclave.

FOR DAD ON MOTHER'S DAY (words by JG) for Youth Choir & Piano.
FP: February 18, 1978, Sing for Fun Club, Temple Beth El, Great Neck, NY at ACC conclave, NJ.

I THINK CONTINUALLY (Poem by Stephen Spender), song.
FP: October 12, 1980, Nancy Williams, mezzo & Leonard Bernstein, Merkin Concert Hall, New York, NY.

1978-79:
PSALMISTRY for Four or Two Singers (varying) and Eleven Players. (Complete revision of FAMILY TORAH SERVICE, 1971). Texts adapted from 14 Psalms; music partly based on synagogue melodies:
FP: October 12, 1980, Merkin Concert Hall, New York, NY, Julia Lovett, Catherine Lovett, Alberto Mizrakhi, Jay Willoughby, soloists, The Zamir Chorale, The New York Saxophone Quartet & 7 other players, Seymour Lipkin, cond.

TWO NIGHT SONGS: "Acquainted With the Night" & "May We Lie Down," transcribed for Male Chorus & Piano. FP of No. 2: June 24, 1981, Gay Men's Community Chorus of New York, Alice Tully Hall, New York, NY. Ms.

LIGHT AND SPLENDOUR (Poem by Leonard Cohen, reprinted in "Gates of Prayer") for High Voice, Flute and Clarinet. Printed in Perspectives of New Music, Fall-Winter 1980-81, in honor of Aaron Copland. FP: July 26, 1981, Julia Lovett, soprano, Renee Siebert, flute & Jerome Bunke, clarinet, The Breakers, Newport Music Festival, Newport, RI.

1984-85: FUNNY, IT DOESN'T SOUND JEWISH

1985:
THE VOICE OF THE LORD IN THE STORM, Organ Processional based on a Sephardic melody for Psalm 29. Companion piece to JUDGE OF THE WORLD, 1975. Revised 2005.

1990 ? V'NISLACH for Mixed Choir (SATB) and Organ

1990-91
AFTER THE FLOOD, A Musical Journey in Two Acts
Full-length musical theater work for Six Singers. Words & Music by the composer. Book by Roy Friedman, based on the Biblical account of Noah. Noah (baritone), Nahma, his wife (mezzo), Yafet, their oldest son (baritone), Shem, their middle son (baritone), Ham, their youngest son (tenor), Hadar, Shem's significant other (soprano) FP: Selections: April 26, 1991, Temple Israel, Lawence, NY. Also, July 1, 1991, Concord Hotel, Kiamesha Lake, NY, ACC convention. Demo tape of early version with Meredith Stone, Denise Nolin, Patti Wyss, Neal Young, Joel Briel, Steve Sterner.

1991
SET ME AS A SEAL, SATB Choir, Piano and Violin or Flute.
FP: October 13, 1991, Merkin Concert Hall, New York City. New York Concert Singers, Betsy Jolles, violin, Judith Clurman, conductor.

1996-97:
SCENES FROM THE SONG OF SONGS, Cantata for Soprano & Baritone Soloists, Women's Chorus & Chamber Orchestra (13 players).

1998:
FANTASY ON HIGH HOLY DAY THEMES for Violoncello Solo
FP: September 30, 1998 (Yom Kippur day), Thomas Rutishauser, cello. Congregation Emanu-El of Westchester, Rye, NY.

SESSIONALS for Brass Quintet
FP: October 10, 1998. Written for the wedding of Elizabeth Gottlieb & Philip Anderson. Based on Psalm 84 from  Shout for Joy and Hatsi Kaddish from  Two Affirmations.
Processional:  They are happy who dwell in Your house
Recessional:  Magnified and sanctified be the Great Name Philip Sasson Brass Quintet at Rudy's Beau Rivage, Dobbs Ferry, NY.

1999: KEDUSHAT HAYOM (Sanctification of the Day), Four Motets for a cappella mixed choir Vay'chulu, Yism'chu, R'tsei vimnuchateinu, V'shamru
R'tsei premiered by the Carolina Chamber Chorale, Timothy Koch, conductor, Spoleto Festival,Congregation Beth Elohim, Charleston, SC , 06/11/00.

GRANT US PEACE (Anthem), SATB choir, organ. Premiered at St. Bartholomew's Church, NYC, William Trafka, conductor, 02/06/00. A evensong service of all Jewish music, mostly by Jack Gottlieb, probably the first service of its kind in Episcopal church history. Followed by a lecture on Jewish music delivered by the composer.

MAY THE WORDS, SATB choir, a cappella. Premiered by Amor Artis Chamber Chorale, Johannes Somary, conductor at St. Jean Baptiste Church, NYC, 03/19/00.

2000:
YOUR HAND, O GOD, HAS GUIDED (Congregational hymn). Premiere at Flatbush-Tompkins Congregational Church, Brooklyn, NY, Eric Birk, music director, 01/04/01

2004:
SONGS OF GODLOVE Volume I (A-S)


Volume II (S-Z)

2005:
IN THE PALACE OF TIME
for solo voice, mixed choir, keyboard, and/or brass sextet
Premiered September 18th , 2005 at Central Synagogue, New York City, by Jayson Rodovsky, organist, Cantors Ida Rae Cahana and Richard Botton, the synagogue choirs, & brass sextet.

M'NUCHA V'SIMCHA (from In the Palace of Time) for solo voice, 2-part choir, and keyboard

(Go Back to "American Judaism's Lost Legacy" Ten Composers Page)


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